The Egyptian-German artist works with drawing, photography, installation and video – techniques through which she networks planes of meaning and reflects multilayered codes that she interprets concretely and abstractly. The central topic here is the mashrabiya, a window in Moslem architecture that is worked in lathes of wood and that regulates the circulation of air and the filtering of light. The structure allowed women to see the outside world without being seen. It acts as a metaphor for separation and connection.